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Here's a cool photo from Out of Contxt.
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Here's a cool photo from Out of Contxt.
Here's the text of a spam message (found poem?) that I received today:
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reef the retribution be bowl but colleague ! crosswort may syllabic and discretionary on cinderella on bestial in cab some canna it ackerman try subtle it archangel and bravado or pathetic may challenge may cancer it's attempt try suppressible may tropopause but failsafe not scottish be oxeye a bimini see postfix try
ammonium , crafty not liaison try clausen ! soapy it's edith but plover in chase may budgetary but anchorage a burst on yiddish some uncle a blurt see adolphus see slocum some lit try sublimate in antipathy it swim , nbc , item ! died see gsa in stannic may expelling some
from a wonderful photoblog called Photographically by Gary Crucefix
I see I must rewire the Twittering Machine
Whose song was lightning
when lightning-struck—
And then sang singe, sang smoke: elect-ric elegy, perpetual elegy, the fuse
That fused syllable to
sound is blown, is
Blown, and now the dry-throat on notingNothing drowns. The gold-sheathed wire
Soldered to star
sang both the star
’s celestial thread that fretting throughThe night kept the night a needle-width
Undone, and sang
yellow the yellow
Thread unmending the sundress wife keptIn closet December-long. And longer:
Through darker months
none could name, none
Name—since, ever since, that star whose lightPowered the Twittering Machine’s ever-song
Died, was always dead,
though nightly seen,
Is still seen, cold but brilliant overhead. The gold-sheathed wire withered, tangent to the moon.
Now a fungal-wire aches
down cemeteries
To find a decaying song. Earth-battery—It winds the dynamo by a ceaseless, clock-
Work turn, clock-
wise turn,
But the Twittering Machine refuses song.No, no—not refuse, not refuse. We’ve rewired
The mechanism. Stars
are silent, trustless:
They lock the dark vault they seem to pierce.Music of the spheres? buzz, no test-pattern,
Program cancelled, shut.
Now one dark talon
Sheathed in darkness drops unseen from skyAnd scratches the earth as the earth turns.
Do you hear that sound
of gravel on gravel
Grinding? That music is our music now.
by Dan Beachy-Quick
from Photoschau, an amazing photoblog by the German photographer Frank Boenigk
Here's some fresh art from The Wooster Collective. This is a cool building is Salon Stella in Minneapolis. The art is by Broken Crow aka John Grider.
Growl [n.] The murmur of a cross dog.
Hope [n.] A sloping plain between ridges of mountains. [Not in use.]
Node [n.]
1. Properly, a knot; a knob; hence,
2. In surgery, a swelling of the periosteum, tendons or bones.
3. In astronomy, the point where the orbit of a planet intersects the ecliptic. These points are two, and that where a planet ascends northward above the plane of the ecliptic, is called the ascending node, or dragons head; that where a planet descends to the south, is called the descending node, or dragons tail.
4. In poetry, the knot, intrigue or plot of a piece, or the principal difficulty.
The Construction Years A grandfather with mountain hands gets an ear stuck in the 1920s. This just in: The world is an apartment building. A girl with cilantro hair wears a hard hat to the dinner table. She’s trucks and toughness.
In efforts to introduce the word risk in 1979, she wears a suit. A little gold cradles the lobe. In no time, the Banana Boat is christened; the pale Impala prances about town. It is disco canary. It is going places.
En el año 80, el adoctrinamiento comienza. Miss Nakatani becomes Igashi. Ants crawl on the bŭt′ ər and then on the wô'tər-mě1′ən. In 1987, her maiden name, Muela, translates to Molar; it’s kept moist with murmurs under the tongue. A joke makes the grandmother sprout oatmeal. She is cinnamon, sugar and cold cream. Crackers the purse.
1990 starts, there was a story about a bar and ends in anecdote as all things musk. Newsflash: Scholarship replaces a boat. A need for fix, anchor, weight. A residue of oil. A soap box is emptied.
Irony invests, settles, sinks, ©2004. Everyone sings about the elephant. No one notices the mold. A nervous tic and paper bombs blossom. All hail, a microscope for your monocle. Stay tuned: Armor is caustic.
by Marciela Ramirez
At the bar, you see a man catch hold of a girl by |
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| From Nest by Mei-mei Berssenbrugge. Copyright © 2003 by Mei-mei Berssenbrugge and Kelsey St. Press. |
Photo of the De Young Museum in San Francisco by Heather Powazek Champ.
To see more work by this photographer, check out Fotograf by Imran.
"Art does not reproduce the visible; rather, it makes visible."
Paul Klee (1879-1940)
When I was a grad student at the Iowa Writers Workshop in the late 80s, I consumed Paul Klee's notebooks, staying up late studying them, becoming them. I left Klee behind me in the 90s for no reason at all, as far as I can tell. Seeing the Klee exhibit transported me back to that time, when art was pretty much everything to me.
The Paul Klee exhibit at The Menil Collection in Houston is one of the largest (this is Texas being Texas, y'all) ever amassed
before. The show is nothing short of enchanting. Personally I would have omitted the walls of black
and white photographs of Americans connected to Klee (placards explain the ties), but I can see how
they clarify the thesis suggested by the title of the show, Klee and America. However conventional this strategy might be for most art museums, it is a very unusual tactic for The Menil. The show is curated by Menil Collection director Josef Helfenstein.
On November 3rd the Commerce Street Artists' Warehouse hosted the
biggest
skateboard deck art show in Texas featuring local and
national artists.
We'll get another chance to see the skateboards at the Mackey Gallery on November 11. All proceeds from art sales are going to help P.U.S.H. Houston build the biggest free skatepark in the nation.
Photos by David A. Brown courtesy of spacetaker.
Here is a super beautiful photograph by Andy Bell from his photoblog Deceptive Media.
Every Tuesday Artist Rosa Murillo lets us participate in her experiments with found art on her blog, Stop by her website for some artful fun. And maybe one day at a cafe table or an ATM machine you'll get very very lucky!
Here is a writing exercise for the brave hearts.
Begin this poem with a paint chip, a color that
strikes you in this moment AS this moment. For example,
Quixotic (plum)
Artichoke
Refuge (slate blue)
Tanager
Jalapeño
Parakeet (these names are all courtesy of Sherwin Williams)
In the middle of this poem there should be a change in temperature or weather.
At the end of this poem, mention or invoke a character from a fairy tale.
Check out a cool photoblog called groundglass.
At the edge
of sense you
sense the pause
that shifts, you
push on it
to stop it
more, you've enchanted
the torturer with
your short songs
sounding like to
shorten time is
what songs are for
by Brenda Hillman
from her book